Tag Archives: Writing

Launch Day!

Today is The Day!

Both paperback and e-book versions are available on all Amazon sites (and are even linked together, after a bit of fighting with dragons), and the ebook is trickling out onto the wider distribution sites – currently available on Kobo and Indigo but not a couple of the others.

We are GO!

There is so much you could do to help make the launch successful:

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An interview

When did you first start writing?
Well, I’ve always been a story teller, as far back as I can remember. Poetry has, from time to time, forced its way out through me too. But I first started writing my historical fiction as a result of my archaeology hobby. You see, I’d found this previously undiscovered Priory, which led me into relearning Latin, so I could read charters and documents written at the end of the 12th century, and figure out what was going on. Then this man called Wimer kept popping up, and his life-story became so compelling that I had to put it in book form. The Henry stories started when I was letting Wimer incubate between edits – I had a full-scale writing habit by then, and a void!
What are you working on next?
I’m working on the Wimer successor novel at the moment, where Wimer’s adopted son Jean takes on the might of the 13th Century establishment, to stop them killing the Priory that Wimer built. He also discovers along the way that he wasn’t meant for a vow of celibacy…
Then Henry is still demanding attention too, with the third volume of 3 stories due out. I shall try and save the next batch of stories until I’ve finished Jean’s novel, but Henry can be very insistent!
What is the greatest joy of writing for you?
I love the first draft, and the first edit, best. The first draft, because that’s when you find out what’s really going on in the story, and how far out your plot was – in my current story, I had a whole extra character elbow her way in! Then when the raw material is complete on the page, the first edit allows you to see how much better it could be, and to start shaping it into something finer.
What is your writing process?
I’m still developing my writing process. It is, of course, informed by a half-century of reading anything I could lay my hands on. I was surprised how classical a structure Wimer had, because I’d completely written that by the seat of my pants; Jean has been plotted, sort-of by the Snowflake method. I’m enjoying the challenge of that; I think I may continue to use that method for subsequent books as I’m learning this writing craft, because it gives me rules that support me whilst I’m learning and practicing nuance.
I use both copy and content editors, after I’ve had 4 or 5 passes through it myself!
When you’re not writing, how do you spend your time?
When I’m not writing, I’m either working (as a business improvement consultant, what a contrast to my other loves!), or doing something archaeological or historical. I’m working on a metal-detector survey of an 1,000 acre estate in Suffolk, plotting finds on a map so the data can be cut by time, by material, or by use; a fascinating project. You wouldn’t believe how much time I invest in finding stuff, washing it, reporting it to the Portable Antiquities Scheme, plotting it, doing show-and-tells to my landowners, researching finds… at least I’ve discovered that I can dictate into a little USB recorder that I sling round my neck, so I can write at the same time!
Do you remember the first story you ever read, and the impact it had on you?
I can remember being absolutely furious with my mother, because she tried to shorten a bed-time story. I wasn’t having any of that! I wanted full measure in my stories! I must have been around 2.
What do your fans mean to you?
My Henry fans are very opinionated, and I love them 😀 There’s nothing like a 7 year old describing in detail what he wants to read about next, to make writing worthwhile! That is, incidentally, another reason to self-publish – feeding that direct demand. If I went trad, that 7yo would be a different person by the time his request was published.
What motivated you to become an indie author?
I got fed up with agent after agent telling me my historical novels were good, but they’d just published something mediaeval… or it didn’t quite fit their list… or-or-or. If I knew what I was in for, I might have continued to send out query letters – the marketing is a real learning curve! But the Henry stories – written for around the 6-9 age range – are simple to produce, and I can get them into peoples’ hands very quickly and cheaply.
How do you approach cover design?
I am very lucky in that my elder daughter is a fantastic and professional artist, and is happy (for a suitable bribe) to do all my Henry covers.
I used a service called 99designs.co.uk for the Sheriff and Priest cover. I was very impressed indeed with the quality and range of covers on offer, and I’ll likely use the service again. The end result feels well worth the price paid.
Who are your support people?
I’ve already mentioned that my eldest daughter does my artwork, but my youngest daughter is crucial to Henry’s success too – she’s my editor in chief. I read each story out to her, and she somehow holds it in her head as a whole, and suggests tweaks, or different word choices – she’s good!
I also have a circle of friends who are my cheering section, and who are my alpha readers for the historical novels. These are people who are good enough friends to say “this bit stinks”!
Describe your desk
My desk is archaeological in nature – I think it’s pale wood, but I’m not sure, there’s too much stuff piled on it! That may be why I generally write in the lounge, on my laptop, to my favourite music; or on one of the notebooks I have in every handbag and pocket.
Who are your favorite authors?
I am in awe of authors like Hilary Mantel, Sherri Tepper, and Lois McMaster Bujold, all of whom are writing way above a level I can achieve at the moment. I’m trying to read their books to figure out how they’re doing it, but it’s taking a long time, because I keep getting sucked in!

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Distant Echoes anthology

I’m very proud to have a story in here 🙂 There’s some fabulous tales.

Mine is about a Bronze Age girl on the threshold of womanhood whose world is ripped apart by an invading force. What future is there for someone who is only half-marked as a warrior?

“Gripping and thought-provoking stories of people, places and times past by writers from the Historical Novel Society.

A new anthology of nineteen award-winning and acclaimed historical fiction short stories.

Distant Echoes brings you vivid voices from the past. This haunting anthology explores love and death, family and war. From the chilling consequences of civil and world war, to the poignant fallout from more personal battles, these stories will stay with you long after the last page.”

Pre-order now via the link below. Publication is on Monday 25th September.

 

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Review – For The Most Beautiful

For The Most Beautiful

by Emily Hauser

This review first appeared on the Historical Novel Society’s review pages.

Think of the tale of Troy. What names can you remember? Active men; Achilles. Paris. Passive women – Helen, only remembered for being beautiful; Cassandra being laughed at for her unbelievable prophesies. In “For The Most Beautiful”, Emily Hauser has told the story of two unlikely heroes, women whose voices have been lost. Krisayis, daughter of the Trojans’ High Priest, and Briseis, princess of Pedasus, start off near the top of the hierarchy, but both are enslaved by the Greeks. Their struggles in the face of that disaster, and the need to preserve the essence of Troy, form the core of the book. Looking down from the clouds is the panoply of gods – with their own desires and agendas, and with two of the female gods NOT chosen as “most beautiful”…

If I hadn’t been reading a review copy, I might have abandoned it. The early vacuousness of its protagonists, and shallowness of the gods, really irritated me. But I persevered, and gradually grew to like, and then admire, the girls – very much. I got to the end of the book, and immediately read it again, this time appreciating the superb character arcs that Ms Hauser has drawn. The gods hadn’t changed, but then that is the nature of gods.

This is a fascinating picture of life in Bronze Age Troy, from the point of view of women at both the top and bottom of society. Ms Hauser’s knowledge of, and respect for, the period shines through. Read it twice. You won’t regret it.

 

 

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Review – STITCHES IN TIME

STITCHES IN TIME – The Story of the Clothes We Wear

Lucy Adlington, Random House, 2015, £16.99, hb, 410pp, 9781847947260

This review first appeared on the Historical Novel Society’s review pages

The author’s deep scholarship is very evident, as is her joy in clothing. A collection of anecdotes talking about an item of apparel per chapter, this book could have been entertaining froth; but it’s much, much more.

She focusses on the last 200 years, but ranges from prehistory onwards, describing the evolution of items in a very engaging manner. The book is illustrated with black and white sketches and photos, and has a colour centerfold.

From knicker elastic to hats, topics are covered in detail. My favourite timeline takes the pocket from a fold in a Roman toga to today’s handbag, covering chatelaines, a man’s “posturing pocket” (not what you might think), and the 18thC “indispensable” on the way; each journey has similar intriguing details.

I learned something new from every chapter, and was thoroughly entertained whilst doing so; there’s articles of interest here for everyone. The book has an extensive bibliography and source reference material, making it a good springboard for research. An excellent book for either the fashionista or the historical novelist in you…

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Review – Irvine Stone’s “The Agony and the Ecstacy”

The Agony and the EcstasyThe Agony and the Ecstasy by Irving Stone

My rating: 4 of 5 stars

This book starts off slow, and the plot continues at this pace – it’s a pretty straightforward recounting of the major events in Michelangelo’s life, with some occasionally wooden reactions to them.
What makes this book shine – in fact, what makes it unmissably stellar – is the lyrical, beautiful descriptions of both the process of sculpting, and Michelangelo’s sculptures and paintings themselves. You learn how difficult it is to mine marble, how to transport it, how to choose a piece without inclusions by watching the sunrise through it. Then Michelangelo picks up his hammers and chisels – made afresh for each sculpture – and Irving Stone takes you inside the mind of the master, so that you feel you understand the exact places to carve away the snowy grain of the marble to achieve the desired effect, and you taste the marble dust at the back of your own throat.
Stone’s bibliography leaves you in no doubt that he knew what he was talking about, and there is a surprising body of Michelangelo’s writings in existence. I think that reading this book is about as close as you’re likely to get to one of the greatest creative minds who ever lived, and this book will be coming with me when I go to Florence. It has made me yearn to see these great sculptures and frescos, which Stone describes with such authority and conviction.

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December Rain

I’ve been enjoying a writing course called Writing for Young Readers, on the Coursera platform. One of the exercises was to write a 500 word autobiographical vignette, about something that happened when you were young – this brought back so many memories!

Here it is; December Rain.

The girl emerged onto the top of the plane steps, that first holiday from school, and the heat hit her with a flatiron.

Wow! she thought – have I been turned into an English person already, all red and sweaty?

December weather was supposed to be cool and pleasant, just right for going on safari. The bush, newly green from the October rains, should be full of the whole animal kingdom showing off their new babies – her favourite time of year.

She walked over the tarmac to the large tin shed that was the airport building, admiring the way her uniform shoes sank a little into the melting blackness with each footstep, then released with a tiny pucker. She could see her Dad standing at the open doorway, as close as he could get to the tarmac without breaking the rules, waiting for her. His favourite purple and grey checked shirt was pulled out of his shorts, dark circles of sweat under his armpits. Thank god, he’s hot too! Behind him, half-hidden in the shade, was her Mum, waving.

She ran the last few steps, and they hugged so hard it was like they were one person thick, the girl in the middle. When they let go, she slipped her hands into theirs. Her horrid white English skin was hidden inside her Dad’s huge, freckly grasp, and her Mum’s hand fitted hers exactly. They waited until the luggage handlers brought out her case, then walked together round the shady side of the building to the car, still holding hands.

The touch of the car seat on her back made her sweat rivers. She kicked off her shoes, then wound down the window and leaned forward to let the wind cool her. Her Dad was sticking his elbow out of his window so the material of his sleeve bellied full, funnelling the cooler air over his chest.

“The rains haven’t come yet!” he said, plucking the shirt material away from his body. “Bloody ridiculous heat, for December! No safari until it breaks, I’m afraid.”

She must have made a noise, because her Mum reached back and squeezed her knee.

“Don’t worry, pet – I’m sure they’ll break soon!”

The girl stared out of the window, seeing how brown and dry everything was. They might not break all holiday! The thought of a family safari was what had kept her sane, when she was lying sleepless in the stuffy dorm in England night after night, too cold even with the windows jammed shut, listening to all the others snore. She squeezed her eyes shut, so as not to cry.

She went to bed straight after supper. She woke when it was still dark. There was a breeze, and she leapt up to enjoy that magical air just before dawn, when the world feels alive – but it was better than that! As she stuck her head out of the window, a gloriously spicy smell of wet dust filled the room, and a fat drop hit her face, then another, then another. The rains had come!

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Random poem

Two events have come together to make something I’m reasonably happy with; a good amount of time on a train, and an interesting MOOC.

The course is an interesting one on the Coursera platform, called “Writing for Young Readers: Opening the Treasure Chest”, from the Commonwealth Education Trust – full of delicious New Zealand accents, sometimes it’s hard to concentrate on the content 🙂

And I generally love train journeys. All that lovely time, to read, or to write – if I’m writing, too, I’m often happy with the quality of what gets produced. This is not entirely polished, but as I’ve just submitted it for Assignment 2, it’ll have to do !

To my lovely daughters

By Nicola Moxey

 

When I first met you,

It was my Grandmother’s face I saw.

You yawned, and your face settled

Into my sister’s, watching you in awe.

When your sister came along,

She looked like you.

 

Reflections of other relatives

Manifested as you grew;

Your uncle’s mischievous grin;

Striding with your father – fast!

 

Now you are grown,

These shards of faces past

Have kaleidoscoped together,

To make each uniquely perfect you;

But still from time to time

Our heritage shines through.

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I wanted to be a writer when I grew up…

A guest article I wrote on the subject: http://www.withoutbooks.com/when-asked-im-proud-to-say-im-a-writer/ My friend Amy Burns Heffernan has a fascinating and growing blog on all things writerly, with a good sprinkling of guest posts, at her blog “Without books… life would be dull!” – I love her concept, and am proud to be asked to contribute.   Nicky.

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Writing Henry – getting the covers spot-on!

It occurred to me that people might be interested in the process I use to write these childrens’ stories, which are very different to writing either stories or novels for adults. In the first of this mini-series, I introduced you to Henry. The second talked about the inspiration for the stories. The third discussed story structure, and some of the mechanics of getting the stories to work. In this last post in the series, my daughter – a professional artist, who does all the covers – talks about her process.

Fi11Nov2014Fi says:

“My mum is the best client ever. This, however you may beg to differ, is not bias. It’s not because she’ll still love me if I miss deadlines (my services come with a certain amount of inbuilt procrastination) or because the content is easily achievable (it varies, and I’m never against dinosaur reference researching when unaccountably she doesn’t have a full topical lecture prepared with slides) but because she knows what she wants.
  This simple aspect derived from her process of storytelling, means that when she skypes me, or we’re face to face (either at home or on rare and happy occasions beer festivals) I get a clear understanding almost straight away of what is needed from the image and how it fits in around the other covers she wants from me. I am completely spoiled. It’s wonderful.
  Take one of the latest books for example (check them all out, they’re awesome *shameless plugging*). We sit down. I sip my mead, then open my sketchbook and grab my trusty black biro. ‘I want a Viking’ she says ‘a proper one, without the horned helmet. Did you know that there’s no evidence of them wearing them? Depictions around the 8th to 11th centuries had them bare headed or with simple helmets.’ This continues for a little while, ‘he needs to look confused please, as well.’ During this dialogue I am happily sketching away, I like vikings. They remind me visually of Tolkein’s dwarves and I’m drawing an expansive beard and a comically confused expression. Even, after 5 minutes of Viking hat history, adding a helmet because after receiving all that new information. Yes, he will have one. Without the horns.
  From this meeting it becomes fairly straight forward, she’s approved my preliminary sketches of this character, we have been over two other book covers in the same session. I’ve justified my composition choices and we’ve oohed and ahhed over what the primary background color should be (the books are sold in threes so some visual tying together is nice). I go home, rosey, and sit down before my computer and my graphics tablet.
  My first job is to upload my preliminary sketch to the computer, I do usually like to get a rough one down first using pen and paper. It feels a lot easier to me, in a digital format mistakes are too easy to undo, this takes away from the end quality which keeps a lot of its original charm from those first imperfections.
  I settle into photoshop now, drawing over the sketch on different layers. The colours are blocked in and the hair layer kept separate from the clothes layer, for example. Once these first steps are done I add in the agreed background colour, this might be the first time I use the primary brush of these covers. A chalk brush gives a great amount of texture, I like the soft effect that can be achieved.
  Shading is completed throughout the picture, then the colours adjusted so they look good next to each other and as a whole. At this point the original sketch has vanished, so I dig it up again and make sure I haven’t strayed too far.
  I add the familiar ‘Henry Baker’ to the bottom then Skype my mum. At this point in the process the image is usually (in my mind, unless I’m stuck and actively looking for guidance) 75% done. She has been known at this point to declare them finished and grab them for final text addage. I find this slightly stressful. I’m looking for feedback and changes! But the customer is, in this case, right as she is happy. I then simply save the image as a jpeg in the highest quality setting and sit back. Trying really very hard to not look too closely at the picture again, the urge to tweak is deadly and ever looming.
Onto the next cover. “
See why I love my darling daughter so much, not only for her sweet self, but as a co-creator? She listens to my random history outbursts without compaining! (much.). She takes my ramblings and draws EXACTLY what I wanted, much, much better than anything I had in my head. She puts up with me nagging her at increasingly frantic intervals, as my arbitrary self-imposed publication deadlines approach. And she still comes home to visit 😀

The first three Henry stories have been available for some time, either as a bundled paperback, or as individual electronic stories. The next three have just been released, with three more planned early in 2015.

The stories are:

Book 1

Henry and the Necklace – In which Henry meets a surprisingly large elephant.

Henry and the Magic Teapot – Henry tries to give his Nan a present – but she is not happy with the results!

Henry and the Football Boots – Henry has to choose between being brilliant at football, or hurting his friend.

Book 2

Henry and the Viking – a trip to the museum has some interesting consequences.

Henry and the Dinosaur – Henry’s brother Mike creates a big problem!

Henry and the Bird Bath – Henry swears never to try karate again…

They are all on my Amazon page: UK and US

As a bonus, I’m recording Henry and the Football Boots, and will be giving that recording away.

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Twitter: http://twitter.com/moxeyns

Facebook: http://www.facebook.com/nicky.moxey (Nicky)

https://www.facebook.com/pages/Henry-and-the-Magic-Pencil/542341045784909 (Henry)

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