A fascinating article from Rosie Weetch, curator of one of my favourite collections at the British Museum. I was admiring these very pieces just last week – I wish I’d read this article first, I would’ve appreciated them more deeply!
I hope you enjoy my books as much as I loved writing them! Here’s my Amazon page.
If you’d like to know more about my writing, you can sign up for my newsletter.
Originally posted on British Museum blog:
Rosie Weetch, curator and Craig Williams, illustrator, British Museum
One of the most enjoyable things about working with the British Museum’s Anglo-Saxon collection is having the opportunity to study the intricate designs of the many brooches, buckles, and other pieces of decorative metalwork. This is because in Anglo-Saxon art there is always more than meets the eye.
The objects invite careful contemplation, and you can find yourself spending hours puzzling over their designs, finding new beasts and images. The dense animal patterns that cover many Anglo-Saxon objects are not just pretty decoration; they have multi-layered symbolic meanings and tell stories. Anglo-Saxons, who had a love of riddles and puzzles of all kinds, would have been able to ‘read’ the stories embedded in the decoration. But for us it is trickier as we are not fluent in the language of Anglo-Saxon art.
Anglo-Saxon art went through many changes between the 5th…
View original 880 more words